Resonance of The
Machinist, Untitled VI
Ultraviolet
Printing Ink on Brushed Aluminum
2012
Professor
Rebecca Zeiss’s piece Resonance of The
Machinist, Untitled VI focuses on a single key still in its lock, and in
the background a workbench. The image overall has an almost purplish tint that
adds to the depth and tonal values of the image. In her piece, Zeiss creates
layers of depth starting with the key and then to the bottom of the image to
the layers of tools and equipment. The image is also large scale, as it invites the viewer in with it’s
brushed aluminum shiny surface that reflects light, much like early daguerreotypes
when photography first began.
As part of the faculty
show Zeiss and the other faculty members were asked to prepare an artist
statement to not only add to the meaning of their work but to also help
students understand their process and perspective.
In her artist
statement, Zeiss writes,
We all have expectations of what things should
look like and we assume the camera will render to use those expectations. While
one would consider camera optics to be revealing, they also may be used as a
device of concealment. It is through the use of these optical choices that
allow my work to present shifting visual illusions and allusions. This created
incongruous space gives a sense of permitting real time and remembered time to
cross paths.
Through these trace
images of objects which reference their culturally assigned historical context
and draw from the aura of these remembered archetypes; we collectively
understand, assign signifiers, and assemble the narratives to this
investigation of cultural expectations and domestic space.
Overall, the image has a feeling of antiquity
much like the rest of Zeiss’s images in the SVSU Art Faculty Exhibit. To see
more of Zeiss’s work including it’s sister piece, Resonance of The Machinist, Untitled II and Solicitor, please stop in and see the show continuing until February
7th.
Alison Bur
Gallery
Assistant
University Art
Gallery
Saginaw Valley
State University
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